Costume pour ‘Tristan fou’ - Le navire, Aquarel,1942/1943 63x46 cm, Saint Petersburg, Florida, The Salvador Dalí Museum






Costume pour ‘Tristan fou’ - Le navire (1942/1943)

Painted by:

Salvador Dalí





During his American years Dalí designed new ballets, for which he also created the decors and costumes.
Shown here is an aquarelle with a costume design for the ballet “The insane Tristan”.
Around this time he used the subject of a woman transforming into a ship with puttee also on two smaller paintings.






In 1956 Dalí introduced his own type of still life painting.
Partly in the tradition of 17th century 'still life' painters like Gerard Dou and Jan de Heem,
partly in his surrealistic sublimation of mindfuck.
Floating elements instead of on the tablecloth.
Pay attention especially to the dead swallow which not at all flies in the air.



Nature morte vivante (1956)




Nature morte vivante, 1956, 125x160cm, St Petersburg(Fl), The Salvador Dalí Museum






What happens to your mind after a very heavy rain fell down on you and swamped the earth with water?
Dalí tried to visualize the sublimation of one's subconsciousness
after a rainshower in the painting "Atavistic Vestiges After the Rain".





Vestiges ataviques aprčs la pluie (1934)



Vestiges ataviques aprčs la pluie, 1934, 65x54 cm, Perls Galleries, New York





The capacity to analyse one's subconsciousness closely made him a very critical personality.
In "Portrait of a Passionate Woman" also known as "The Hands"
two restless hands portray a passionate woman.
A kind of woman that probably never gets rest ...





Portrait d'une femme passionante (1945)



Portrait d'une femme passionante, 1945, possession privée






Salvador Dalí, he was always in search of objects who were one time visible the other time invisible.
Making it clearly when he paints an object in one particular way, its deeper meaning must be fully understandable.
So, of this painting "The Sublime Moment", one can tell that his dinner must have run cold,
the phone conversation coming on the wrong moment.
In other words the title is very ironical.





Le moment sublime (1938)



Le moment sublime, 1938, 38x47 cm, Staatsgalerie Stuttgart









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